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So this thread starts with a common experience: I’m checking news sites and suddenly I’m reading that Negicco and Vanilla Beans are the two first releases of Tower Records new record (and idol only) label. Maybe you are not interested in both groups, maybe there are already threads for them to check this news, but the record label news probably should be better known, or at least there should be a place to knew this type of things.
http://natalie.mu/music/news/50692
http://www.girlsnews.tv/21440
Or say, you follow Negicco and find this show on UStream:
http://www.ustream.t...corded/11190082
And then, the entire festival:
http://www.ustream.t...OFFICIAL/videos
Except Tomato’n Pine:
http://www.ustream.t...corded/11136311
Or for that matter, interviews on Tokyo Idol Festival Ustream channel:
http://www.ustream.t.../tif2010/videos
Or say, you see this video in GirlNews YouTube channel and except some names you don’t know anybody else but maybe are interested in trying to listen them.
Or you get some flyers with Tokyo Girl’s Style, but don’t know anybody else…


Or you know who Ai Shinozaki is, but never listened to her group…
Or you like Jewel Kiss…
http://www.ustream.t...corded/14931713
Or say, you like CANDY GO!GO! and checking their blog:
http://candy-gogo.syncl.jp/
you found this TV show:
http://gotouchi-idol.com/directory/
Or maybe you like some idol group, singer or song from the 70s, 80s or 90s and you want to share with us that you are currently mad for them.
Or maybe you follow some girl who does dance covers but many people wouldn’t know the songs, groups, singers…
Or say, you find this interview with Yasutaka Nakata:
http://search.japant...20110603r1.html
And then you read this bit:
“says Yasutaka Nakata of electro unit capsule and producer of idol sensations Perfume”.
And you think: Perfume are “idols”? If yes, why? If not, again why?
Or this other bit:
"with Perfume, before I even start work on a song, it is already assigned to a certain commercial, so it's all about getting a single idea or hook that stands out, whereas capsule's music is more complex and part of the fun is in finding new sounds every time, or how different people can hear different sounds whilst listening to it."
And maybe you want to learn more of this commercial side of music, or you think this kind of things is against idol music and kind of killing it, or you think is good because it exposes all the associated subcultures and maybe more people can find ways to know things that they could like. But also remember that these are subjective matters.
Or you can find links, activities, wotagei videos, or express things you do as idol fan that maybe other people doesn’t know or other people also do but think they are alone doing it.
Or you can find some text about idols and ask the rest of the community if it is rightful or sounds a bit naïve, like this example from “A Companion to the Anthropology of Japan”:
“Male fans of girl aidoru are stereotypically depicted as introverted, asocial (sometimes anti-social) and suffering from a ‘‘Lolita complex’’ (rorikon) or pedophilia. A common explanation for their veiled passion is substitution theory: aidoru are harmless substitutes for the girlfriends they hesitate to socialize with in real life. Some are attached more to the commercially unsuccessful girls than the popular ones, in part because ‘‘B-grade aidoru’’ are less protected by their production companies, allowing fans greater accessibility. Some commentators have offered explanations premised on a perceived dialectical relationship between the socially and commercially marginalized. In my view, such facile explanations overlook the heterogeneity of male fans of aidoru, and gloss the processes of fan group-formation through multi-mediated experiences, including the projection of heterosexual and patriarchal desire upon the vulnerable aidoru”.
Or you think that all this sounds good but the title of this thread sucks. So share with us a better one…