I had so many chills, I forgot to breathe for the better part of a minute.
Edit: Re-posting for new page
Posted 25 January 2019 - 05:28 PM
I had so many chills, I forgot to breathe for the better part of a minute.
Edit: Re-posting for new page
Posted 25 January 2019 - 05:42 PM
the refrain is dramatic,, i like it,,
the story act is simple yet touching,,
Kanatomo just owning it,,
and looking at 2 MVs so far, it looks like ManaKarin is now the dance core of JJ?
Posted 25 January 2019 - 06:35 PM
The song does nothing for me but I love the MV.
Posted 25 January 2019 - 09:29 PM
MM: 1.Rio 2.Maria 3.Haruka 3. A: 1.Rikako 2.Rin 3.Yuki JJ: 1.Ichika 2. Sakura 3.Riai TF: 1.Shiori 2.Mizuho 3.Yuumi Beyooonds : 1.Rika 2.Kokoro 3.Honoka
ON : 1.Sumire 2.Natsume
Posted 25 January 2019 - 10:17 PM
Posted 26 January 2019 - 05:34 AM
I liked what they did with the verses, but the kaleidoscope effects during the chorus were a bit much.
Currently Stuck In My Head: Nippon no DNA
Hello!Online Top H!p Songs of 2019 Results Posted
Posted 26 January 2019 - 05:44 AM
I like both songs (Bitansan and Potsurito). I held off from listening to any radio rips, and waited for the MVs. For Potsurito, I do like the verses and the build up to the chorus plus the transition to the wider dance shot. It made me feel that it was more grand. I like the visual effects during the dance shot scenes, it also reminded me of the effects from Egao no Kimi wa Taiyou sa.
Posted 26 January 2019 - 06:02 AM
Posted 26 January 2019 - 10:22 AM
Am I the only one who loves both songs? Potsurito is written by Nakajima Takui, so it's the perfect song for Kanatomo/Sayubee. Then Bitansan is the song for Karin/Manakan. However, I find out that I remember the melody of Bitansan more, I think that's because I have a bias towards KOUGA's songs (Hana Moyou, Yuki no Planetarium, both of which have the same vibe as Bitansan does). I love Nakajima Takui, but when it comes to slow songs, I guess I need more time to finally enjoy it (Ai ai gasa is an exception though)
Posted 26 January 2019 - 02:51 PM
I'm not big on Potsuri. Takui usually writes such amazing songs but I can't really warm up to this. one. Would probably be nice as an album song but as a ballad for an a-side it's kinda underwhelming. I dislike how it's so repetetive, the lyrics are boring and the MV looks like they didn't really have a concept.
Bitansan on the other hand is really good. It looks well thought through and is consistent in what it wants to express.
It's overall disappointing that we got three so emotional heavy and depressing songs (even if Bitansan has at least a nice conclusion). I'm dubbing this the depressed girls single or platinum era getting too intimate with JJ.
Morning Musume______ANGERME________Juice=Juice_________Kobushi Factory____Tsubaki Factory____ BEYOOOOONDS
1. Sato Masaki 1. Kasahara Momona 1. Kanazawa Tomoko 1. Nomura Minami 1. Tanimoto Ami 1. Kobayashi Honoka
2. Fukumura Mizuki 2. Sasaki Rikako 2. Uemura Akari 2. Hirose Ayaka 2. Asakura Kiki 2.Okamura Minami
3. Oda Sakura 3. Wada Ayaka 3. Dambara Ruru 3. Inoue Rei 3. Niinuma Kisora 3. Takase Kurumi
Posted 27 January 2019 - 03:45 PM
Posted 27 January 2019 - 05:04 PM
Nah, Good bye & Good luck is better than both songs. I can't wait for the MV.
Posted 27 January 2019 - 11:06 PM
I love both songs, but I'm giving the edge to Potsurito for that killer instrumental break.
Posted 27 January 2019 - 11:21 PM
I love both songs, but I'm giving the edge to Potsurito for that killer instrumental break.
Posted 28 January 2019 - 01:36 AM
That instrumental break is one of the coolest and most effective musical bits I've heard out of H!P in a while. Here's what I wrote about it somewhere else:
"And speaking of the instrumental break, hot damn is it good. I mean, really goddamned good. That open fourth (I think -- I'm happy to be correct on this) synth thing that follows the snare drum isn't technically a pedal point, but it kind of works like one here, and it's so ###### cool. Paired with the driving strings, the half-time piano stuff and wonderfully 80s lead synth, it builds a whole lot of tension for the final chorus to release. Having Kanatomo and Sayuki singing over the piano actually extends the tension into the chorus itself, making the second half of the chorus the actual release. This is pro-level arranging, guys. Sitting here breaking it down like this makes it even more impressive to me.
Posted 28 January 2019 - 05:31 PM
Posted 28 January 2019 - 05:39 PM
竹内朱莉 ~ 小田さくら
Posted 29 January 2019 - 02:09 PM
I'm surprised they just didn't have Manaka lip-synching, it was interesting they gave all of her lines spread out between Yuka, Sayuki and Akari and I think Yanamin did her last duet line with Sayuki.
Posted 01 February 2019 - 09:00 AM
Posted 01 February 2019 - 09:48 AM
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