Her "Ne~e" jazz version performance is good! thumbs up! theres once i listen to doki doki lovemail like 10-15 a day,haha,it was addictive then.
I was just reading through the 4 pages of this and was wondering when a reference to the jazz versions would come up. IMO, the jazz Ne~e is the weakest of the three jazz renditions I've heard but is still great (Not sure about the dance though). The other 2 are 100Kai no KISS and Dokki Doki! LOVE Mail. Since I downloaded the jazz version of Dokki Doki! LOVE Mail it's the first thing I'll listen to every day. I pretty much like all her songs but I'll listen to some way more than others such as Ne~e and Kanousei no Michi. A lot of people said they prefer the upbeat pop of her early career but I do believe her ballads are just as good, if not better. I refer to Watarasebashi in particular but Hiyashinsu was one of my early favourites back when I only knew about 10 or 12 of her songs. One of the things I love about her is her ability to cross genres. What I mean by genre crossing is that she has made good work in not only upbeat pop but also the ballads, dance (Goodbye Natsuo and Uchuu de LaTaTa although it's a duet), jazz (Original Jinsei, Yume and Aitakute) and um... miscellaneous: Onna no Yuujou Mondai. It's sort of upbeat pop but I really believe that song belongs in it's own category because of the banjo music! I love it but just don't think I can categorise it!
If I could recommend any song to highlight her vocal talent it would be Hikoukigumo from the Folk Songs 2 album. There's a
live acoustic version of Hikoukigumo on youtube that's absolutely beautiful but the quality is average at best (can't find a download yet). She looks like she cries at the end but I don't think she does. Even all those who are only so-so about ballads should agree that it's a great showcase of her talent. Stunning song and such a great cover that I'm not going to bother finding the original! My 2 cents.
If my bias allows me to give my opinion, it is that Matsuura Aya is definitely the best singer out of all of H!P and that Tsunku making her a soloist was the correct choice. I watched a clip of a performance of Aya which went straight into a DEF.DIVA performance and I noticed her quality drop a bit with them. She was still by far and away the best singer of the 4. I hate to single out Natsumi Abe as bad because I quite liked her in the presenter's role of Hello! Morning but she was quite poor. (
EDIT: Just listened to it again and the whole thing has a bassy echo to it (bad acoustics in the studio) so even Ayaya doesn't sound as good as normal. In the DEF.DIVA performance Charmy was the worst and Natsumi was actually the second best! It's just that her first line stuck in my head as it was quite bad. It's the 56th Kouhaku 2005-31-12 if anyone is interested.) However, since listening to some live Ayaya performances, especially a Mandarin rendition of Momoiro Kataomoi in Taiwan, I'm inclined to keep my opinion. A studio can make some of the girls sound good and possibly better than Aya but in a concert there's no competition whatsoever.
Edited by H!P46, 19 September 2006 - 03:02 AM.